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November 21, at am. Jill Keith says:. December 26, at pm. Carol Scheiber says:. January 14, at am. Rosalie says:. February 2, at pm. RC Baker says:. March 2, at pm. This went out the window with InDesign and somebody's brilliant idea to display three levels of violation, the lightest one being so minor that you could never get rid of all of it and would actually never want to.
I mention this here because some time ago I asked whether anyone had experienced any advantage whatever from having to hit the tab key to get to the leftmost entry box in the Photoshop levels dialog, as became necessary in CS4. Nobody said they had, and I was very pleased to see that this had been corrected in CS5 or maybe 5. It's impossible to think about this without remembering Caleb's assertion a month ago, "Personally I think that too many preferences are antithetical to usability.
If Adobe wants to retain this brilliant enhancement, fine - but it should provide an option or options for making it practically usable, as - again - it always was in PageMaker. Thanks, Roy. That said, I turned it on anyway. That done, I immediately turned it off. Is it just me? Do other people - designers!
What does it do? I only leave the pink "missing font" highlight on. Every now and then--I mean, every six months--I'll see an ochre yellow highlight in table cells. I've deduced that that indicates some kind of spacing or fitting limit.
I've not figured out where the control for that highlight is hidden. I turn off the new, annoying automatic frame highlighting--all those flickering lines were giving me sensory overload like in the scene at the beginning of Andromeda Strain.
I usually work with the margins and guides visible, but toggle them off when I need to see the layout without clutter. I turn on the document grid as needed. I usually work with the entire pasteboard visible, but when I need to focus on just the design, I use W to gray out everything else.
Michael Brady www. Ah, that's right. I kept using PageMaker in OS 9 for ten years, and long after everybody else had switched. Others persist until you intervene to correct a problem. Wherever they appear, they deserve your attention. Once you type, paste or place text into an Adobe InDesign document, you can use selections to designate which parts of it you want to style or edit.
When you drag the Text tool through text to select it, Adobe InDesign highlights the characters contained within the typographic range you choose. You also can double-, triple- or quadruple-click to make selections confined to words, sentences or paragraphs.
Selection highlighting disappears when you delete the selection, make another selection in the same text frame, select another object in your document or navigate to another page. Adobe InDesign navigates to the first applicable instance of your search and highlights the text to show you its location. If you also entered Change criteria, you can click on the "Change" button to alter the found text.
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